Esotouric™

LAVA - The Los Angeles Visionaries Association

All across this vast and confusing city, little pockets of creative energy flare up, like molten lava oozing from the earth's core. But if you blink, you'll miss them. The failure to find real connection in Los Angeles is a cliché rooted in truth. You could easily spend frustrating years searching for the real thing, those hidden gems and secret gatherings that give this city a soul. Or you can look to a new entity called LAVA (the Los Angeles Visionaries Association) for guidance.

LAVA has been several months in the making, and we're so excited to push it out into the world and see where it takes us. We hope the LA folk reading this will please have a look and let us know what they think of the site.

More info:
LAVA aims to reveal the hidden heart of Los Angeles and facilitate connections between people with shared passions and sensibilities. Through participation in LAVA, a select group of artists comes together to promote cultural programming that speaks to the urban experience while promoting positive public space. LAVA's creative partners share a love for L.A. and unique ideas for how to express and explore it in their work.

Formed by social historians RICHARD SCHAVE and KIM COOPER -- proprietors of Esotouric bus adventures and until recently the Director and Curator of the Downtown Los Angeles Art Walk -- LAVA brings together L.A.'s most visionary promoters, artists, writers and thinkers. Not virtually, though LAVA's online calendar is packed with gems, but in frequent gatherings of living, breathing, collaborating, connecting human beings, held all around the town -- including a monthly Sunday Salon at Clifton's Cafeteria.

The first crop of Visionaries in the growing curated community includes cultural chronicler ADRIENNE CREW, Cacophony Society co-founder AL RIDENOUR, back-to-nature pioneer ALICIA BAY LAUREL, former Metropolitan Museum curator ALLON SCHOENER, designer/mom of Chicken Boy AMY INOUYE, custom tours maven ANNE BLOCK, master puppeteer BOB BAKER, producer and promoter CHRISTIAN VOLTAIRE MEOLI, performance artist CRIMEBO THE CLOWN, the NEA's outgoing Director of Literature DAVID KIPEN, documentarian and exploitation film historian ELIJAH DRENNER, pop critic and outsider artist GENE SCULATTI, no-longer-Teenage Glutster food blogger JAVIER CABRAL, horror film director JEREMY KASTEN, social historian JOAN RENNER, Musso & Frank co-owner JORDAN JONES, performance artist JULES ROCHIELLE, curator and activist JULIE RICO, "Kristin's List" cultural chronicler KRISTIN BEDFORD, esoteric scholar and lecturer MAJA D'AOUST, poet and dancer MONA JEAN CEDAR, L.A. Historic Theater Foundation rep NICK MATONAK, music producer and impresario NO'A WINTER LAZERUS, peace activist PAUL NUGENT of the Aetherius Society, social networking mistress SHAWNA DAWSON, and hat designer and multi-media artist YASMIN DIXON.

LAVA's core members are multi-generational (ranging from age 21 through 86) genre-hoppers who are already beginning to collaborate on a series of exclusive LAVA happenings, many of them free to attend. Forthcoming free LAVA exclusives include the L.A.-themed exploitation film series Tinseltown Tarnish (hosted by Elijah Drenner and Jeremy Kasten), a screening of the astrologically-themed 1938 film "When Were You Born" at the historic United Lodge of Theosophy (hosted by Maja D'Aoust) and a new series of "Flâneur & the City" downtown walking tours (led by Richard Schave). And starting in March, LAVA hosts a monthly Sunday Salon at Clifton's Cafeteria, where all curious folks are invited to come learn about the LAVA community and enjoy short presentations from select Visionaries.

LAVA's website debuts today with a community calendar that features an eclectic mix of events: occult lectures, Tom Waits bus tours, musical gatherings, art openings, puppet spectaculars, historic theater tours, saucy nurse performance art, comedy benefits for Haitian relief, ancient Hindu scripture classes, and a free walking tour of F. Scott Fitzgerald's Los Angeles. Coming soon: podcasts, community forums and printable event calendars.

Then there's the community blog, a chance for LAVA's secret weapon to shine. Click BLOG and you'll find ALLON SCHOENER, the 84-year-old cultural historian, author, exhibition originator and art world "Zelig," who in January moved from Hudson, NY to Hollenbeck Palms, the historic Boyle Heights retirement home, dusted off his laptop and started planning his creative life in Los Angeles. Allon's first blog post in a series of recollections of meetings with 20th Century tastemakers is the story of how he brought the first domestic espresso machine to Hollywood in the 1950s. Coming soon: Allon's 100% true tales of life as Charles and Ray Eames' houseguest, socializing with Imogen Cunningham, brainstorming with George Nelson and studying art history with Soviet spy Anthony Blunt.

On Sunday, February 7, 2010, Esotouric rolled south from Philippe's The Original on an urban exploration tour bookended by the sites of three old Lugo adobe homesteads (The Plaza/Olvera Street, Boyle Heights, Bell Gardens). Here are a few of the scenes seen along the way.

A highlight of the day came when Lauren Baumann opened her home, the historic Rives Mansion in Downey, for a fascinating tour through this beautiful early 20th century mansion. We also met Miss Downey Princess Natalia Amador, and learned about the evangelical youth work done at the house, including after-prom events and plenty of music.

At the Gage Mansion in Bell Gardens, that strange and fascinating adobe-wrapped-in-a-Victorian-wrapped-in-a-trailer-park, an eagle-eyed passenger spotted a wee hummingbird mama sitting on her eggs in nest built around an antique hanging lamp. She was gracious enough to pose for photos before zipping off to fill up on nectar.

In Downey, land of surprises, we listened to some vintage Carpenters' tracks before slipping down a side street to spy a striking modernist home by Edward Durell Stone, architect of the Museum of Modern Art.

The lovingly restored Harvey's Broiler provided a rare glimpse of new mascot Big Boy, rendered entirely in balloons, and an introduction to teenage cruising culture from restaurant manager and hometown boy Joe. Cruise nights are Wednesdays and Saturdays, if you're planning a visit.

We paused to pay our respects to a deceased and possibly cursed tavern with an amazing doubled neon and bulb sign.

And were blown away by the precision and grace of the long lost Irving Gill-designed Clarke Estate in Santa Fe Springs, seen below in this shot of the interior courtyard, where tour host Richard Schave discussed Gill's influence on California modernism.

To see more from the day's adventures, visit the  photo set  on Flickr, or get on the bus  any weekend in February for another tour in the Reyner Banham loves LA series.

In memory of the five fascinating months when Richard was the Executive Director and Kim was the Curator of the newly formed Downtown Los Angeles Art Walk non-profit, we are honored to share these words of thanks from volunteers and participants.

Despite the smears you may have read elsewhere suggesting that we were disconnected from the management, safety or community aspects of the event, the fact is that we lived, breathed and brainstormed to solve these issues, and formed dozens of valued partnerships to make Art Walk safer, more successful and more meaningful to every participant.
 
This was what was really going on at our manifestation of the Art Walk: incredible people were coming together and working very hard to make something wonderful happen in the city, and to fix the aspects of the Art Walk that were broken or neglected. It's sad that some in the community didn't want to be part of it, sadder still that they didn't want anyone else to be able to enjoy it either.

But here's the thing about magic: you can't stop it once it's out of the magician's hat. All this good work was not for naught, and the relationships formed at Art Walk are going to survive and transform us into the new decade. We thank all our wonderful collaborators, and can't wait to see where the magic takes us next. Stay tuned to the Esotouric.com weekly email list if you'd like to join us.

MAJA D'AOUST (Philosophical Research Society): I had a tremendous experience working with Kim and Richard on Art Walk.  I found them to be very accommodating, present and interested in ensuring everything went smoothly and safely, and extremely involved in all the proceedings. There were many personal issues and questions I had to ask them during the process, which they dealt with immediately and effectively every time. I found them to be courteous and concerned with everyone involved and constantly asked people if they needed help, volunteering their aid. I had a wonderful experience providing Salons for the Art Walk events and it was a direct result of Kim and Richard's participation in them.

STEPHEN COOPER (Professor of Creative Writing,  CSU Long Beach): Working with Kim Cooper and Richard Schave on the November 2009 Los Angeles Art Walk John Fante Salon was a delight.  From the time they originally proposed the idea, through several helpful phone and email planning discussions, and culminating at the SRO event itself on the third floor of historic Clifton's Cafeteria, the experience was smooth and rewarding.  All I had to do was show up and talk with an engaged and appreciative audience.  Kim and Richard did everything else, with efficiency, smarts and class.

MIKE THE POET (tour guide, author): Over the last four years I have had a ball leading tours through the monthly Downtown Los Angeles Art Walk. I have led tours though the Art Walk just about every month since March 2006, with the exception of the month I went on my honeymoon and two other months when I had important poetry gigs at universities. The tours have evolved from beginning on DASH buses to 55-passenger buses and most recently walking tours. Over the last year and a half I have had the pleasure to work with Richard Schave and Kim Cooper of Esotouric Tours. They are two of the only people I have ever encountered that love Los Angeles as much as I do. Collaborating with them on the Art Walk Tour has been an unforgettable experience. Their devotion to sharing the real Los Angeles is unmatched. Anyone that takes a tour with Esotouric (Richard and Kim) will receive a historically accurate tour as well as a damn good time. They are professional and still manage to be whimsical. A tour with Esotouric supersedes the typical boring tour and sheds new and fascinating light on the City of Angels. 

THESSALY LERNER - THE UKULADY (musician/ Hippodrome host): I worked for over 9 months on the Downtown Art Walk’s free shuttles and it was always a privilege and a pleasure to work with Kim and Richard.  They worked their fingers to the bone for Art Walk, always unpaid and underappreciated.  To blame them for any shortcomings of Art Walk is outrageous, shameful and misdirected. I was privileged to work with them for over a year and I admire the countless hours of energy and time they poured into the broken machine of Art Walk. I am particularly appalled that they have been misrepresented to have been contemptuous of seeking corporate funding to support programming. No one is more an advocate for artists to get paid than Kim and Richard and they were constantly brainstorming how to harness corporate funding.  Art Walk is a huge event, and blaming Kim and Richard for public safety issues at largest public event within Skid Row is ridiculous. It’s like declaring Obama responsible for George Bush’s Iraq.  Iraq was a mess long before Obama came around, as was Art Walk before Kim and Richard. Kim and Richard had many great ideas to make Art Walk more accessible and give it higher visibility amongst Angelinos, and it's Art Walk's and L.A.'s loss that the dysfunction of the Art Walk and Downtown community and Art Walk board seem to have caused their resignation. I hope that Art Walk’s board grovels at Kim and Richard’s feet, begging them to return, because their collective energy, creativity and dedication to art and artists, is unrivaled.

JAVIER CABRAL (tour guide/food blogger): Working in conjunction with Kim Cooper and Richard Schave made my walking tour "The Rise of LA Food Trucks" become an overnight success.

LUCAS GONZE (guitarist, Hippodrome performer): I had a great experience playing music on the Hippodrome during Art Walk.  There was a remarkable sense of community; people met and mingled in a way you'd never expect.  I especially liked the safety that the bus created for people who would otherwise have walked from one corner of the Art Walk to the other.

MICHELLE MILLS (journalist, San Gabriel Valley Tribune): When I first learned that Richard Schave and Kim Cooper were taking on the Downtown Los Angeles Art Walk I was intrigued, as it was a big task to wrangle. Since then, I have watched it grow and become a unique event revitalizing a too-often overlooked area of L.A. Schave and Cooper offered walking tours, a bus and other ways of making the event more interesting and informative for both those new and familiar with the area. It is Art Walk's loss that the couple have resigned. I wish both parties the best. 

RUTHANN FRIEDMAN (singer-songwriter, Hippodrome performer): The Art Walk is linked forever in my mind to Kim Cooper and Richard Schave. It was their energy and enthusiasm that swept many of us along. They will be missed.

SARAH TROOP (attendee): Schave and Cooper are Los Angeles treasures. The concepts and experiences they brought and implemented to the Art Walk were unique and unforgettable to anyone who has attended. Their mutual love and passion for Los Angeles, it's history, it's culture and certainly the people make me LOVE this city. 

JOHN TOOMEY (attendee): I have known Kim Cooper and Richard Schave for years and have been continually amazed at their organizational and managerial skills. They excel at the talents traditionally associated with non-profit arts organizations, and ALSO (which is rare) know how to manage a business. Their love for, and desire to share their delight in our city is unparalelled. Art Walk will be very, very lucky if it can find someone else of their caliber.

ED ROSENTHAL (tour guide/poet-broker): Esotouric's involvement in the Art Walk was refreshing and inventive. I loved doing tours from Clifton's. I haven't caught up on the politics, but to me the Art Walk is about downtown and its history, not about the galleries or the property owners... I enjoyed their involvement very much and my tours which they created were a great success.

On Monday, December 7, 2009 we launched a petition addressed to the Citizens Stamp Advisory Committee, asking that they consider honoring the American writer Charles Bukowski with a commemorative postage stamp on the 20th anniversary of his death (3/9/2014).

The petition will be submitted with all signatures received as of 3/1/2010. If you would like to see Bukowski on a stamp, please sign the petition by following the link at the bottom of this page, or send your personal letter of support to:

Citizens' Stamp Advisory Committee
c/o Stamp Development
U.S. Postal Service
1735 North Lynn St., Suite 5013
Arlington, VA 22209-6432

To sign this petition, visit the link below:

www.petitionspot.com/petitions/bukowskistamp

Dear members of the Citizens Stamp Advisory Committee,

I am writing to propose that the American novelist, poet and screenwriter Charles Bukowski be honored with a commemorative U.S. postal stamp to be issued on March 9, 2014, the twentieth anniversary of his death.

Charles Bukowski is uniquely suited for this honor. For in addition to being an acclaimed author with a growing international following, he is also perhaps the most famous American postal worker after Benjamin Franklin, and his landmark first novel "Post Office" is a wry portrait of the inner workings of the service where he was employed through age 49.

Bukowski's popularity among readers is unquestioned, but he has recently received a pair of honors which speak to his abiding reputation in American letters.  In February 2008, the small cottage where Bukowski lived for many years was named a Cultural-Historic Monument of the City of Los Angeles, and in 2006 his literary archives were acquired by the Huntington Library.

A Charles Bukowski postage stamp would be a worthy tribute to a gifted soul who transformed himself from a middle aged civil servant into an international literary lion, and who never lost his sensitivity towards the ordinary lives of the people of his hometown of Los Angeles. I hope that you will seriously consider this proposal at your next meeting.

Yours sincerely,

The Undersigned

To sign this petition, visit the link below:

www.petitionspot.com/petitions/bukowskistamp

We've been waiting a long time to share the very cool news that our friend Jordan Jones, 4th generation owner of the historic MUSSO & FRANK GRILL in Hollywood, will be keeping the "new room" bar open late a few nights a week and dialing the atmosphere back to the early 1940s with jazz, blues, snacks and perfect martinis from the bar that fueled Chandler, West, Faulkner, Bukowski, Hemingway and Fitzgerald. The new concept debuts Friday, Novemeber 27 (the night after Thanksgiving), and we're planning to pop by around 10pm to enjoy the transformation. Maybe we'll see you there. The regular after-dinner schedule will be Friday and Saturdays, 10pm-2am. Info:http://mussoandfrank.com 

Toronto Star: Irreverent tour turns L.A. unconfidential - Guide provides candid commentary about city's shortfalls, history - by Michael Benedict

LOS ANGELES–Even the passengers on this zany "secret history of Los Angeles" bus tour get in on the city-bashing act. One of our stops is Pershing Square in L.A.'s historic heart, a prime example of what guide Richard Schave calls "bad public space." When we walk through the near-empty concrete "park," Joie Magidow, one of several locals on the tour, shouts out: "It used to have palm trees and green spaces. People would take their lunch there. Then it turned into concrete sh–."

Imagine an enthusiastic guide who slams his city, left, right and especially centre? Welcome to Esotouric's "bus adventures," where co-owner Schave entertains by lambasting the revitalization efforts in L.A.'s downtown.

Schave takes us far off the tourist track to show us architectural masterpieces, neighbourhoods in transition and even some urban successes. This 4 1/2-hour adventure is clearly not your standard promotional tour.

Esotouric began in 2007 with a menu of offbeat itineraries. They highlighted L.A.'s noir, seamy side. Two sensational and still unsolved 1947 city murders featured prominently: the brutal knifing of Elizabeth Short, later known as the Black Dahlia, and the shooting of mobster Bugsy Siegel. Esotouric still offers these popular tours along with another based on Raymond Chandler mysteries.

Chandler's private eye, Philip Marlowe, prowled the same downtown streets Schave now wants to rejuvenate. "This is the site of the largest public eviction in U.S. history," he says as we walk atop Bunker Hill, where some 5,000 people lost their homes in the late 1950s to make way for a massive redevelopment that is still ongoing.

On the bus, Schave displays old photos on TV screens of the Victorian houses that once stood on the hill. Today, there are high-rise towers, high-rise office buildings, Frank Gehry's acclaimed Walt Disney Concert Hall and very, very, very little public space. Schave blames award-winning architect I.M. Pei (the Louvre pyramid, the Rock and Roll Hall of Fame in Cleveland and Commerce Court West in Toronto) for cutting off the buildings from the people. "He designed these crazy streets," says Schave. "It's all his fault."

Bunker Hill residents were linked to the commercial district below by a five-cent funicular that deposited them steps from work, banking and grocery shopping at the Grand Central Market. City planners shut down the funicular, known as Angels Flight, in 1962, but brought it back under public pressure in 1996. However, it closed five years later after a fatality – and has yet to reopen. "They keep promising to start it again soon," says Schave, "but don't hold your breath."

Grand Central Market does remain open, defying predictions of its demise when Bunker Hill was depopulated. According to Schave, "You can fill two bags of groceries here for under $10."

He shows us Grand Central because it is a "good public place." Another positive example is the Mercantile Arcade, modelled on London's Burlington Mall. It connects Spring St., the former "Wall St. of the West" that today is home to lofts and art galleries, with Broadway, where vaudeville theatres once flourished and now is mostly a Latino shopping street. Enthuses Schave: "The Arcade was the Rodeo Dr. of its time, and it's still perfect. It's my favourite part of the historic downtown."

Another bad example of downtown public place is L.A. Live, a $3 billion redevelopment project anchored by the new GRAMMY Museum and the Staples Centre, home to the world champion L.A. Lakers. Schave dismisses the massive undertaking as the worst of 1980's-style urban planning. "It's a freeway exit," he says.

Despite his rhetoric, Schave sees a hopeful future for his beloved downtown, a future he intends to influence.

And not just through his eye-opening bus tours. Schave, who has a degree in fine arts, is director of Art Walk,* a not-for-profit organization that is drawing attention to the city's core as a desirable place to live. On the second Thursday night of every month, people converge on the old city centre for walking tours, to visit galleries and enjoy street entertainment. The event began in 2004 with a handful of visitors but now draws more than 10,000 people to the historic district's streets.

"After 15 years of failure, Los Angeles has finally got it right," Schave says of the city's support of Art Walk and shift to promoting mixed-used, instead of high-rise, development. His goal is to proselytize for the positive power of public spaces through Art Walk and his private tours.

"Los Angeles is complicated and needs lots of explaining," says Schave, who this year lectured on downtown L.A. at the Canadian Centre for Architecture in Montreal.

Schave is a master of stand-up and local trivia. He stops the bus to point out Ross Cutlery on Broadway, where O.J. Simpson allegedly bought a stiletto similar to the one used in the murder of his ex-wife. Murder scenes or hotels where notorious killers once stayed are duly noted.

The tour ends on a high note. A former industrial area hidden among cold storage warehouses is these days home to artists taking advantage of city incentives for low-cost residential use. Long-time denizen Terry Ellsworth takes the reins from Schave and shows us around his Arts District.

"Al's bar, where lots of alternative rock groups got their start, was here," says Ellsworth.

"It was quite a wild place in the 1980s – if you say that you remember an incident, you really weren't there."

But today it's a stable community drawing people from outlying regions.

Says Ellsworth: "Watch us bring the city back to life."

Dorothy Parker once described Los Angeles as 72 suburbs in search of a city. Thanks to Schave and his friends that may finally be changing.

*Editrix' note: With great regret, Richard resigned as the Downtown Los Angeles Art Walk's Director on November 9, 2009 due to philosophical conflicts with the Board, which informed him of its desire to give the HDBID, a private organization of the neighborhood's largest property owners, a voice in the management of this arts non-profit.

Richard Schave's The Lowdown on Downtown tour next rolls on Saturday, February 27.

THURSDAY, NOVEMBER 26 - Esotouric (Richard and Kim) invite you to join them and fellow lovers of historic Los Angeles locations and lore for THANKSGIVING DINNER AT CLIFTON'S CAFETERIA. We'll be arriving around 3pm (and staying until around 5pm) for self-serve roasted turkey, mashed potatoes and gravy (or veggie alternatives like the famous mac 'n' cheese), pumpkin pie, white jello with confetti specks, bread pudding, and so much more, all enjoyed in a vintage 1930s fantasy redwood forest interior at the corner of 7th & Broadway downtown. RSVP is not required, just come and look for the group's table on the second or third floor. Make this your one Thanksgiving stop, or come visit for a spell between less amusing obligations.

More Clifton's info at http://www.cliftonscafeteria.com

Now that our Richard Schave is the Director of the Downtown Los Angeles Art Walk, you won't be surprised to learn that walking tours are on the agenda. We started slow for the July 2009 Art Walk: three early evening tours which we guessed would each have about 30 attendees. It ended up being closer to 50 per tour, and Richard had to go around twice to pick up the overflow. If you're curious about the Art Walk and would like to test the waters on a guided tour, please sign up for the Art Walk mailing list so you'll know when to reserve your spot.

Here's a glimpse into the July walking tours hosted by Richard and Mike the PoeT. (Anne Block also led a wonderful tour, but our videographer's battery died as it began.)

On Saturday, June 20, 2009, the Esotouric bus paid a visit to Glendora's remote Fairmount Cemetery, set high on San Felipe Hill, as part of the Reyner Banham Loves LA: Route 66 tour. The dilapidated site is one of the oldest Southern California burial grounds in continuous use, with unmarked graves dating back to the 1840s.

Today it is a strange and mournful place, reached by a precarious path along partially collapsed gravel roads, silent save for the soft hum of the bees who've built a hive in an old tree, and the occasional barking of dogs coming across the valley floor. Monuments in various stages of repair dot the hillside, and at the top, an incongruous grove of citrus trees drop ripe fruit for only squirrels to enjoy. It's said that Monrovia Growers, the nursery which owned all the surrounding land until they recently sold it off for residential subdivision, planted the fruit trees to undermine the fragile ecostystem of the graveyard. But so far, it abides.

For more about the cemetery, see this cached webpage listing the known burials, this 1994 L.A. Times article about development coming to the hill and the Find A Grave page, which links to short bios of the residents.

Our tour also included a stop at the giddy, Googie Covina Bowl, which in addition to its marvelous vintage lighting fixtures...

currently sports a raven's nest in its landmark sign.

And to the E. Waldo Ward Farm for a tour of the canning rooms. (Below, barbecue sauce ready for shipment, and fourth generation proprietor Jeff Ward.)

To see all photos from the day's adventure, click here.

Welcome to the Esotouric blog, a place for eclectic bits of L.A. lore that wouldn't otherwise have a home. Here you'll find original research that's too detailed to share on our bus tours, photo tours of offbeat landmarks, recommended readings and special announcements meant to bring a little antique joy into this all too modern world. We hope you'll tune in and find our musings to your liking.

Our first post grows out of research into detective novelist Raymond Chandler, subject of two Esotouric bus adventures, the downtown-centered "Raymond Chandler's Los Angeles: In A Lonely Place" and the westside tour "Raymond Chandler's Bay City."

To read Raymond Chandler while studying Los Angeles history is to discover that the writer took a special pleasure in larding his tales with real names and places that had personal resonance. Every time one of these little clues comes into focus, we find it hard not to squeal.

"The Lady in the Lake" (1943) has at least two of these small gifts: the Treloar Building (obviously based on the Art Deco Oviatt) is almost certainly named for Harvard grad Al Treloar, "The Most Perfectly Developed Man in the World," who was for decades the athletic director at the LA Athletic Club, half a block from the Oviatt and site of Chandler's mid-day bridge games. And Marlowe's cop-companion Al Degarmo likely honors G.C. De Garmo, a socially-connected attorney involved in a lengthy contract dispute affecting Chandler's early employer, the Los Angeles Creamery.

For the downtown tour, we looked into a little known period of Raymond Chandler's life in Los Angeles, the years 1913-19, before he joined the Dabney Oil Syndicate. What did this intelligent youth observe from behind his bookkeeper's desk? He leaves us no written evidence, but we've done a little digging into his employer's public record, and found some fascinating dirt.

Chandler was a mature man when he started writing fiction, and evidence of his rich pre-literary life is thick in the work. While little is known conclusively about his early years in Los Angeles, a bit of digging exposes unexpected spice in his seemingly dry gig as a commercial bookkeeper.

In 1913, we know that Chandler, then 25, was working as a bookkeeper in the Los Angeles Creamery, the largest milk concern in the city. Their main plant was at 12th and Towne, south of downtown. He worked there through most of the teens, briefly supervised their Santa Barbara office, and got his job back on his return to Los Angeles after war service in 1919 before making the transition to the oil business.

While on first glance this sounds like it might be a dull part of Chandler's life, and his biographers concur, further exploration reveals he would have received an early education in local corruption and crimes of passion while so employed.

In March 1912, George E. Platt, president of the Los Angeles Creamery and Chandler's boss, was found guilty of adulterating the "cream" his company sold. The pricey product was proven to be ordinary milk mixed with the condensed variety. Platt appealed his conviction, claiming he had the right to regulate his inventory, but he lost the appeal and was fined $25. This case received a great deal of publicity, and Chandler would certainly have been aware of it.

Then in July 1914, Platt was stalked and shot by a business associate who claimed he was being ripped off in a real estate deal. The aggrieved C.P. Deyoe drove from his Hollywood home to the intersection of Sixth and Ardmore, where he knew Platt (resident of 520 Ardmore) and contractor Frank O. Jean (452 Ardmore) caught the streetcar to work. Jean was late that day, lucky fellow. But Platt was waiting for the train, and accepted a ride from Deyoe.

It was not a pleasant trip. Deyoe immediately launched into the same old story about how Platt owed him $10,000 commission on Platt's purchase of the Scorpion Ranch in Owensmouth, and furthermore, Platt's friend and neighbor Frank O. Jean owed him money, too. When Deyoe asserted that if it hadn't been for the money he was owed, Jean wouldn't have been able to build Platt's new house on Ardmore for him, Platt objected. That's when Deyoe pulled out his gun.

George Platt jumped from the car at Sixth and Catalina, failing to yank the gun away as he ran, and Deyoe shot him in the back, then shot himself in the head. The assailant died instantly, and his victim lingered in terrible agonies at California Hospital with a bullet lodged in his abdomen. He survived.

When interviewed, Frank O. Jean claimed he didn't even know the gunman. In the hospital, Platt said he believed the shooter was insane and the claimed debt imaginary.

But then again, this is a man who thought it was his right to sell adulterated milk products as cream. And it's known that in 1908, Deyoe brokered the sale of 280 acres in Rancho La Puente as a dairy facility for Platt's Creamery, at a price of between $250 and $400 an acre.

We also know that Raymond Chandler, reconciling ice cream orders in lined notebooks and observing everything with the care of a born writer, was getting an education in how business was done in California. He would prove something of an expert when he finally took up the pen in earnest.

*

Image credits: Platt obituary and headline from the Los Angeles Times, WPA project Los Angeles Creamery photo circa 1939 from the Los Angeles Public Library.

If you'd like to explore other recent research into Chandler's life in Los Angeles, we highly recommend Loren Latker's site Shamus Town.